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Saturday 23rd February

Frank Carter And The Rattlesnakes (SOLD OUT!) w/ Black Futures

Ticket: £18.00 Buy Now
Doors: 7pm
Age: 14

They say the third time’s the charm, and, after the breathtaking, ruthlessly efficient one-two punch of “Blossom” and “Modern Ruin”, here we are – at FRANK CARTER AND THE RATTLESNAKES’ album number three – at once a stadium-sized declaration of intent and a deeply personal cri-de-coeur called “End of Suffering”.

Recorded in just six months and named after the Buddhist term for enlightenment, this is the sound of a band entering an entirely new realm of the senses, a forty minute rock’n’rollercoaster of molten-hot bangers, scorched-soul ballads and grunge lullabies laced through with a lacerating lyrical honesty.

With Cam Blackwood (George Ezra / Jack Savoretti) at the helm with legendary mixer Alan Moulder (Nine Inch Nails / Queens Of The Stone Age), the resultant album sees Carter, co-songwriter Dean Richardson and co. not so much spreading their wings as running and leaping headfirst in to uncharted waters.

Opener ‘Why A Butterfly Can’t Love A Spider’ finds Frank at full stretch, singing: “When I’m high I’m in heaven/When I’m low I’m in hell”, while first single “Crowbar” is tauter than a highwire and relentlessly sharpened to a razor’s edge, a sonic Molotov cocktail of a track delivered with the anarchic zeal of the gilets-jaunes rioters. “I saw an amazing bit of graffitti during the Paris riots which said: ‘We’ve cut off heads for less than this’” enthuses Frank. “I loved that attitude. People are sick of being force fed doom and gloom.” It also comes complete with a video directed by long-time collaborator Ross Cairns (Biffy/QOTSA) and acts as a blistering clarion call to arms.

When the fury is dialled down however, even more startling surface. ‘Anxiety’ is a paranoiac festival anthem-in-waiting, while ‘Love Games’ is an absolute beauty; a distortion-heavy nod to Amy Winehouse’s finest moment destined to soundtrack the summer.

‘Angel Wings’, meanwhile, is as bleakly poetic as Charles Bukowski. A howl of existential despair involving vodka and vicodin-induced visions of ‘feathers made of diamond rings/dragons made of oxygen’ – it’s worthy of those other harrowingly honest third albums, The Manic Street Preachers’ Holy Bible & Nirvana’s In Utero (both band favourites).

The album also features Tom Morello as a guest guitarist on ‘Tyrant Lizard King’. The two re-connected after many years at Resurrection Festival in Spain last summer, where Frank infamously sung Rage classic ‘Killing In The Name’ to a 40,000 strong crowd, finishing the track with a stage dive worthy of the rock’n’roll hall of fame.

Indeed. In an age of say-nothing pop and codified corporate rock, End Of Suffering does what all great music should- lift the spirits and stir the soul.

Album pre-order pre-sale // Friday 18 Jan @ 10am
Spotify pre-sale // Friday 18 Jan @ 10am
General on sale // Monday 21 Jan @ 10am